Each has one processing input, a frequency modulation input and a 1V/oct input.
Two independent voltage-controlled oscillators. Notes: Best value Buchla module ever? An official Buchla module produced by TipTop Audio, the 258t is a dual triangle-core oscillator, with sine/sawtooth wave shapes in the top half and sine/square at the bottom. 'Whizbang Mix' invites you back into the bassment for another slice of acid house pie, the meeting point between 'Full Whip' and 'Severe Itching' that feels like trying to listen to the former after the laters aforementioned liquid has blocked your eardrums. Focusing on the heftier synths and bass, with the rushing wind effects that compromised 'Full Whip'. 'Strip Off Dub' is just that: a stripped back dub version of 'Full Whip'.
'Severe Itching' takes the party downstairs into an acid techno rave, the liquid bass seeping through your ear canal into your skull - an utterly extraterrestrial experience. The 'Full Whip' version is an 80s powersynth with powerful kicks and synth perfection, an authentic use of a commodified sound used in the past couple of years. Review: The iconic North London dance music duo Idjut Boys are famed for their nostalgia fueled offerings of dub, disco and house and join forces again for this 4 track single featuring 4 completely different takes on the track 'Speedball'. K outdoes himself with his new mix, a supercharged blend of extended percussion breaks absent on previous 7-inch mixes, plus driving vocals, and fuzz guitar. On the flip, 'Hold On To Your Mind' was first released in 1970 by Northern Irish rock group Andwella, is a heavy, psychedelic tour de force. The easy-going groove, heavy percussion and low-slung bass, complimented by bilingual lyrics from Angel QuiNones, still sounds ready for action, especially In this new edit from Mr. It was considered such a Loft staple that the video was even filmed there, as well as being played widely across the influential clubs of the day. Originally released in 1982, 'Konk Party' was Konk's calling card and first hit and represented their multicultural, no wave, hip-hop/disco hybrid perfectly, the opening sax riff itself a giving sly nod to Wild Sugar's breakbeat classic 'Bring It Here' that the Beastie Boys would later sample. First up is an edit of a track that embodies the spirit of early '80s downtown NYC. K (Danny Krivit) transports us to the golden era of David Mancuso 's New York Loft with two disparate but equally heavyweight classics from the Mancuso oeuvre mastered and cut loud, deep, and clear for club play.
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